| 1987 | Canon and Gigue in D major, P. 37, T. 337: I. Canon | Orchestre de chambre Jean‐François Paillard, Jean‐François Paillard |
| 1987 | Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse) | Enrico Caruso |
| 1990 | Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” | Mormon Tabernacle Choir, The Philadelphia Orchestra, Eugene Ormandy |
| 1990 | Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born” | London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult |
| 1991 | Adagio for Strings | Academy of St Martin in the Fields, Sir Neville Marriner |
| 2003 | Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air | Jacques Loussier |
| 2003 | Canon and Gigue in D major, P. 37, T. 337: I. Canon | Brian Eno |
| 2007 | Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air | Adolf Scherbaum, Münchener Bach‐Orchester, Karl Richter |
| — | Adagio for Strings and Organ in G minor | Maria Teresa Garatti, I Musici |
| — | Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto | Wilhelm Kempff |
| — | Also sprach Zarathustra, op. 30: I. Einleitung | Wiener Philharmoniker, Herbert von Karajan |
| — | An der schönen blauen Donau, op. 314 | Radio‐Symphonie‐Orchester Berlin, Ferenc Fricsay |
| — | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai | Peter Anders、Tilla Briemほか5人 |