| 1988 | By the Sleepy Lagoon | Harry James and His Orchestra |
| 1991 | The Planets, op. 32: I. Mars, the Bringer of War | London Symphony Orchestra, Sir Malcolm Sargent |
| 1993 | Also sprach Zarathustra, op. 30: I. Einleitung | Wiener Philharmoniker, Herbert von Karajan |
| 1994 | Dido and Aeneas, Z. 626: Act III, 37. Ground, Aria and Ritornello “When I am laid in earth” (Dido) | Jürgen Jürgens, Tatiana Troyanos, Kammerorchester des Norddeutschen Rundfunks, Charles Mackerras |
| 1995 | Rigoletto: Atto III. “La donna è mobile” (Duca) | Enrico Caruso |
| 1997 | Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse) | Enrico Caruso |
| 2006 | Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born” | London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult |
| 2007 | Symphony no. 9 in D minor, op. 125 “Choral”: II. Scherzo. Molto vivace – Presto | New York Philharmonic, Bruno Walter |
| 2008 | The Planets, op. 32: IV. Jupiter, the Bringer of Jollity | London Symphony Orchestra, Sir Malcolm Sargent |
| 2010 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai | Peter Anders, Tilla Briem, Bruno Kittel Choir, Elisabeth Höngen, Rudolf Watzke, Berliner Philharmoniker, Wilhelm Furtwängler |
| — | Gianni Schicchi: “O mio babbino caro” (Lauretta) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras |
| — | Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” | Mormon Tabernacle Choir, The Philadelphia Orchestra, Eugene Ormandy |