| 1975 | San Francisco (Be Sure to Wear Flowers in Your Hair) | Scott McKenzie |
| 1978 | True Love | Bing Crosby & Grace Kelly |
| 1978 | Plaisir d’amour | Ray A. Barton, Jr., London Festival Chorus, The Mormon Choir of England, London Festival Orchestra, Stanley Black |
| 1978 | Bridge Over Troubled Water | Simon & Garfunkel |
| 1980 | I’d Love You to Want Me | Lobo |
| 1980 | I Can’t Stop Lovin’ You | Don Gibson |
| 1980 | If I Only Had Time | John Rowles |
| 1980 | Johnny Guitar | Peggy Lee |
| 1980 | Mull of Kintyre | Wings |
| 1980 | In the Ghetto | Elvis Presley |
| 1980 | A Whiter Shade of Pale | Procol Harum |
| 1980 | Je t’aime… Moi non plus | Serge Gainsbourg en duo avec Jane Birkin |
| 1980 | Save the Last Dance for Me | The Drifters |
| 1980 | Don’t Cry for Me Argentina | Andrew Lloyd Webber |
| 1980 | Killing Me Softly With His Song | Lori Lieberman |
| 1980 | If You Could Read My Mind | Gordon Lightfoot |
| 1980 | Morning Has Broken | Mike Sedgewick |
| 1980 | Hotel California | Eagles |
| 1981 | Michelle | The Beatles |
| 1981 | Griechischer Wein | Udo Jürgens |
| 1981 | Scarborough Fair | Ray Bryant |
| 1992 | Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto | The Philadelphia Orchestra, William Smith |
| 1992 | Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile | Wilhelm Kempff |
| 1992 | Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air | Adolf Scherbaum, Münchener Bach‐Orchester, Karl Richter |
| 1992 | Merci Chérie | Udo Jürgens |
| 1992 | Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse) | Enrico Caruso |
| 1992 | Ave Maria | Alessandro Moreschi |
| 1992 | Nocturne no. 2 in E‐flat major, op. 9 no. 2: Andante | George Greeley |
| 1996 | Lara’s Theme | Maurice Jarre |