アーティスト
London Promenade Orchestra
🇬🇧 イギリス · before it became known as the National Philharmonic Orchestra in ca. 1971
0カバーされた曲
0カバーされた延べ組数
94カバーした曲
カバーした曲(年順)
| 年 | 曲 | 原曲 |
|---|---|---|
| 1983 | Plaisir d’amour | Ray A. Barton, Jr.、London Festival Chorusほか3人 |
| 1985 | Some Enchanted Evening | Mary Martin、Barbara Lunaほか2人 |
| 1987 | Csárdás | Reginald Dixon |
| 1989 | Pavane, op. 50 | Bill Evans Trio |
| 1989 | Summertime | Mildred Bailey |
| 1989 | Sonata no. 11 in A major, K. 300i/331 “Alla Turca”: III. Rondo alla Turca. Allegretto | Yoel Sharr |
| 1989 | Les Contes d’Hoffmann: Barcarolle | Comedian Harmonists |
| 1989 | I’ll See You Again | Noël Coward |
| 1989 | Toyland | Mallory Walker, Lehman Engel |
| 1989 | Ave Maria | Johnny Mathis |
| 1989 | Why Was I Born? | Frank Sinatra |
| 1989 | Of Thee I Sing | Stan Getz |
| 1989 | Because | Plácido Domingo, London Symphony Orchestra, Karl-Heinz Loges |
| 1989 | Something Wonderful | Dorothy Sarnoff |
| 1989 | West Side Story: Ballet Sequence: Somewhere | Larry Kert, Carol Lawrence, Reri Grist |
| 1989 | Gianni Schicchi: “O mio babbino caro” (Lauretta) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras |
| 1989 | The Donkey Serenade | Artie Shaw and His Orchestra |
| 1989 | Londonderry Air | AAFTAC Symphonette |
| 1989 | ’S Wonderful | Louis Armstrong And His Orchestra |
| 1989 | They Didn’t Believe Me | Harry Macdonough & Alice Green |
| 1989 | Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air | Adolf Scherbaum, Münchener Bach‐Orchester, Karl Richter |
| 1989 | Younger Than Springtime | William Tabbert |
| 1989 | Rose-Marie | Slim Whitman |
| 1989 | Can’t Help Lovin’ Dat Man | Helen Morgan |
| 1989 | West Side Story: Maria | Larry Kert |
| 1989 | Bill | Helen Morgan |
| 1989 | Yesterdays | Errol Garner |
| 1989 | Who Cares? | Anita O’Day |
| 1989 | Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto | Wilhelm Kempff |
| 1989 | Almost Like Being in Love | Frank Sinatra |
| 1989 | West Side Story: America | Chita Rivera, Marilyn Cooper, Reri Grist, Shark Girls |
| 1989 | Why Do I Love You? | The Les Paul Trio |
| 1989 | An der schönen blauen Donau, op. 314 | Radio‐Symphonie‐Orchester Berlin, Ferenc Fricsay |
| 1989 | Bess, You Is My Woman Now | Teddy Wilson |
| 1989 | Embraceable You | Judy Garland |
| 1989 | Make Believe | Paul Whiteman and His Orchestra |
| 1989 | Lover, Come Back to Me | Mildred Bailey |
| 1989 | West Side Story: Tonight | Larry Kert, Carol Lawrence |
| 1989 | Camelot | Richard Burton, The Camelot Orchestra, Franz Allers |
| 1989 | If Ever I Would Leave You | Robert Goulet, The Camelot Orchestra, Franz Allers |
| 1989 | Someone to Watch Over Me | George Gershwin |
| 1989 | All the Things You Are | Artie Shaw and His Orchestra |
| 1989 | Indian Love Call | Artie Shaw |
| 1989 | Ol’ Man River | Paul Whiteman and His Orchestra |
| 1989 | The Song Is You | Frank Sinatra |
| 1989 | Smoke Gets in Your Eyes | Paul Whiteman & His Orchestra |
| 1989 | I Could Have Danced All Night | Julie Andrews, Philippa Bevans, Maids |
| 1989 | On the Street Where You Live | John Michael King |
| 1989 | Softly, as in a Morning Sunrise | Artie Shaw and His Orchestra |
| 1989 | All I Ask of You | Cliff Richard & Sarah Brightman |
| 1989 | Nocturne no. 2 in E‐flat major, op. 9 no. 2: Andante | George Greeley |
| 1989 | I’ve Told Ev’ry Little Star | Carmen Cavallaro |
| 1989 | Hello, Young Lovers | Gertrude Lawrence |
| 1989 | Greensleeves | Alfred Deller |
| 1989 | Rhapsody in Blue | The Hour of Charm All Girl Orchestra under the direction of Phil Spitalny |
| 1991 | Belle of the Ball | Leroy Anderson “Pops” Concert Orchestra |
| 1992 | Ave Maria | Alessandro Moreschi |
| 1992 | Fantaisie‐impromptu in C‐sharp minor, op. 66 | Alfred Cortot |
| 1993 | Première Gymnopédie: Lent et douloureux | Christopher Parkening |
| 1993 | Suite bergamasque : III. Clair de lune | George Greeley, Paul Weston |
| 1993 | Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air | Jacques Loussier |
| 1993 | The Yellow Rose of Texas | Gene Autry |
| 1993 | Canon and Gigue in D major, P. 37, T. 337: I. Canon | Orchestre de chambre Jean‐François Paillard, Jean‐François Paillard |
| 1993 | Jeanie With the Light Brown Hair | Gene Krupa and His Orchestra |
| 1993 | Peer Gynt Suite no. 1, op. 46: IV. I Dovregubbens hall | Duke Ellington & His Orchestra |
| 1993 | The Raiders March | John Williams |
| 1993 | Boléro | The Philadelphia Orchestra, Eugene Ormandy |
| 1993 | The Music of the Night | Côr Meibion Llanelli |
| 1994 | “Nessun dorma” (from Turandot) | The Geoff Love Concert Orchestra |
| 1994 | Come prima | I Campioni canta Tony Dallara |
| 1994 | Tara’s Theme | Don Nelson |
| 1995 | Trees | Sir Harry Secombe |
| 1995 | Deep River | Fats Waller |
| 1995 | Old Folks at Home | Django Reinhardt et le Quintette du Hot Club de France avec Stephan Grappelly |
| 1995 | Beautiful Dreamer | Bing Crosby with John Scott Trotter and His Orchestra |
| 1995 | Danny Boy | Glenn Miller and His Orchestra |
| 1995 | Requiem: Pie Jesu | Sarah Brightman、Paul Miles-Kingstonほか4人 |
| 1995 | Sonata for Piano no. 14 in C‐sharp minor, op. 27 no. 2 “Moonlight” | Vanilla Fudge |
| 1995 | Adagio for Strings | Academy of St Martin in the Fields, Sir Neville Marriner |
| 1995 | Also sprach Zarathustra, op. 30: I. Einleitung | Wiener Philharmoniker, Herbert von Karajan |
| 1995 | Shenandoah | Harry Belafonte |
| 1995 | My Prayer | Glenn Miller and His Orchestra |
| 1995 | Black Is the Colour (of My True Love’s Hair) | The Ramsey Lewis Trio |
| 1995 | Summertime | Billie Holiday |
| 1997 | Slaughter on Tenth Avenue | Les Brown and His Band of Renown |
| 1999 | How Are Things in Glocca Morra? | Buddy Clark |
| 2002 | So Deep Is the Night | The Hill/Wiltschinsky Guitar Duo |
| 2002 | Baubles, Bangles and Beads | Peggy Lee |
| 2002 | Concierto de Aranjuez | Miles Davis |
| 2002 | And This Is My Beloved | Sarah Vaughan |
| 2002 | Stranger in Paradise | Richard Kiley、Doretta Morrowほか2人 |
| 2010 | Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf) | Giuseppe di Stefano, Orchestra dell’Accademia Nazionale di Santa Cecilia, Franco Patanè |
| — | Lohengrin, WWV 75: Akt III, Szene I. „Treulich geführt ziehet dahin“ (Chor) | Chor des Slowenischen Rundfunks, Symphonieorchester des Slowenischen Rundfunks, Marko Munih |
| — | Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto | The Philadelphia Orchestra, William Smith |