アーティスト
London Philharmonic Orchestra
🇬🇧 イギリス · LPO; The Philharmonic Promenade Orchestra
5カバーされた曲
158カバーされた延べ組数
193カバーした曲
カバーされた曲（多い順）
- Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born”1963年カバー 145 組
- 楽しいカジノ1991年カバー 5 組
- おてんば姫の行進1991年カバー 3 組
- おおぞらをとぶ1996年カバー 3 組
- 冒険の旅1996年カバー 2 組
カバーした曲（年順）
| 年 | 曲 | 原曲 |
|---|---|---|
| 1971 | Country Girl | Scott Walker |
| 1971 | Wave | Walter Wanderley |
| 1971 | I Want to Be Happy | Glenn Miller and His Orchestra |
| 1971 | Let There Be Love | June Christy |
| 1971 | On the Sunny Side of the Street | Louis Armstrong and His Orchestra |
| 1971 | There Will Never Be Another You | Wynton Kelly |
| 1971 | Tea for Two | Bob Crosby and His Orchestra |
| 1971 | For Once in My Life | The Four Tops |
| 1971 | The Trolley Song | Judy Garland |
| 1971 | Old Devil Moon | Gene Krupa and His Orchestra |
| 1971 | Get Happy | Art Tatum |
| 1971 | (Where Do I Begin?) Love Story | Andy Williams |
| 1974 | Peer Gynt Suite no. 1, op. 46: IV. I Dovregubbens hall (In the Hall of the Mountain King) | James Last Orchestra, James Last |
| 1977 | Princess Leia’s Theme | London Symphony Orchestra, John Williams |
| 1977 | Main Title | Maynard Ferguson |
| 1983 | True Love Ways | Buddy Holly |
| 1988 | Fanfare for the Common Man | London Symphony Orchestra, Aaron Copland |
| 1989 | Forever Autumn | Jeff Wayne |
| 1989 | Angels We Have Heard on High | Bing Crosby with choir and orchestra directed by Simon Rady |
| 1989 | Porgy and Bess: Act III, Scene II. “There’s a Boat Dat’s Leavin’ Soon for New York” | George Kirby |
| 1989 | Porgy and Bess: Act III, Scene III. “Oh Bess, oh where’s my Bess” | Todd Duncan, Eva Jessye Choir, Decca Symphony Orchestra, Alexander Smallens |
| 1989 | Porgy and Bess: Act II, Scene I. “Bess, You Is My Woman Now” | Anne Brown, Todd Duncan, Eva Jessye Choir, Decca Symphony Orchestra, Alexander Smallens |
| 1989 | Porgy and Bess: Act Ⅰ, Scene Ⅰ. “Lissen to yo’ daddy warn you … A woman is a sometime thing” | Frank Rosolino / Al ‘Jazzbo’ Collins |
| 1989 | You’ve Lost That Lovin’ Feelin’ | The Righteous Brothers |
| 1989 | MacArthur Park | Richard Harris |
| 1989 | Oh, Pretty Woman | Roy Orbison |
| 1989 | You Can’t Hurry Love | The Supremes |
| 1989 | She’s Not There | The Zombies |
| 1989 | Dancing Queen | ABBA |
| 1989 | The Tracks of My Tears | Smokey Robinson & The Miracles |
| 1989 | A Whiter Shade of Pale | Procol Harum |
| 1989 | When Will I See You Again | The Three Degrees |
| 1989 | Man of the World | Fleetwood Mac |
| 1989 | River Deep – Mountain High | Ike & Tina Turner |
| 1989 | Vincent | Don McLean |
| 1989 | Scarborough Fair | Ray Bryant |
| 1989 | Bright Eyesセルフカバー | Art Garfunkel |
| 1989 | Will You Love Me Tomorrow | The Shirelles |
| 1989 | God Only Knows | The Beach Boys |
| 1989 | Blackbird | The Beatles |
| 1989 | Dancing in the Dark | Bruce Springsteen |
| 1991 | Porgy and Bess: Act III, Scene III. “Oh Lawd, I’m on My Way” | Todd Duncan, Eva Jessye Choir, Decca Symphony Orchestra, Alexander Smallens |
| 1993 | Wonderous Stories | Yes |
| 1993 | Close to the Edge | Yes |
| 1993 | Starship Trooper | Yes |
| 1993 | Soon | Yes |
| 1993 | Roundabout | Yes |
| 1993 | Mood for a Day | Yes |
| 1993 | Owner of a Lonely Heart | Yes |
| 1993 | Heart of the Sunrise | Yes |
| 1994 | 果てしなき世界セルフカバー | すぎやまこういち |
| 1994 | Summertime | Mildred Bailey |
| 1994 | 広野を行くセルフカバー | すぎやまこういち |
| 1994 | Csárdás | Reginald Dixon |
| 1994 | Les Contes d’Hoffmann: Barcarolle | Comedian Harmonists |
| 1995 | Auld Lang Syne | Ruby Braff |
| 1995 | Jingle Bells | Benny Goodman and His Orchestra |
| 1995 | Plaisir d’amour | Ray A. Barton, Jr., London Festival Chorus, The Mormon Choir of England, London Festival Orchestra, Stanley Black |
| 1995 | When a Child Is Born | Johnny Mathis |
| 1995 | Amazing Grace | Judy Collins |
| 1995 | I Got Rhythm | Louis Armstrong & His Orchestra |
| 1995 | Bring Him Home | Colm Wilkinson |
| 1995 | Money | Pink Floyd |
| 1995 | Another Brick in the Wall, Part 2 | Pink Floyd |
| 1995 | Nobody Home | Pink Floyd |
| 1995 | Comfortably Numb | Pink Floyd |
| 1995 | Breathe | Pink Floyd |
| 1995 | The Great Gig in the Sky | Pink Floyd |
| 1995 | Time | Pink Floyd |
| 1995 | Us and Them | Pink Floyd |
| 1995 | Brain Damage | Pink Floyd |
| 1996 | そして伝説へセルフカバー | すぎやまこういち |
| 1996 | 村セルフカバー | すぎやまこういち指揮 NHK交響楽団 |
| 1996 | Dites‐moi | Barbara Luna, Michael De Leon |
| 1996 | This Nearly Was Mine | Ezio Pinza |
| 1996 | Bali Ha’i | Juanita Hall |
| 1996 | Happy Talk | Juanita Hall |
| 1996 | I Have Dreamed | Doretta Morrow and Larry Douglas |
| 1996 | Another Suitcase in Another Hall | Barbara Dickson |
| 1996 | Younger Than Springtime | William Tabbert |
| 1996 | I Don’t Know How to Love Him | Yvonne Elliman |
| 1996 | A Cockeyed Optimist | Mary Martin |
| 1996 | Superstar | Murray Head |
| 1996 | The Music of the Night | Côr Meibion Llanelli |
| 1996 | There Is Nothin’ Like a Dame | Myron McCormick, Sailors, Seabees, Marines |
| 1996 | Think of Me | Andrew Lloyd Webber |
| 1996 | Getting to Know You | Gertrude Lawrence |
| 1996 | All I Ask of You | Cliff Richard & Sarah Brightman |
| 1996 | Don’t Cry for Me Argentina | Andrew Lloyd Webber |
| 1996 | I’m Gonna Wash That Man Right Outa My Hair | Percy Faith |
| 1996 | Shall We Dance? | Gertrude Lawrence & Yul Brynner |
| 1996 | Memory | Elaine Paige |
| 1996 | Everything’s Alright | Yvonne Elliman, Ian Gillan, Murray Head, Alan Doggett |
| 1996 | We Kiss in a Shadow | Doretta Morrow and Larry Douglas |
| 1996 | Hello, Young Lovers | Gertrude Lawrence |
| 1996 | The Phantom of the Opera | David Essex |
| 1997 | あなたになら…セルフカバー | 中山美穂 |
| 1997 | Also sprach Zarathustra, op. 30 | Berliner Philharmoniker, Karl Böhm |
| 1997 | Colonel Bogey March | Malcolm Arnold |
| 1997 | The Washington Post | Morton Gould & Morton Gould's Symphonic Band |
| 1997 | Dance of the Sugar Plum Fairy | Lester Lanin & His Orchestra |
| 1997 | Battle Hymn of the Republic | Jeanette MacDonald, soprano |
| 1997 | All My Love | Led Zeppelin |
| 1997 | Kashmir | Led Zeppelin |
| 1997 | The Battle of Evermore | Led Zeppelin |
| 1997 | Friends | Led Zeppelin |
| 1997 | Going to California | Led Zeppelin |
| 1997 | Stairway to Heaven | Led Zeppelin |
| 1997 | When the Levee Breaks | Led Zeppelin |
| 1998 | Send In the Clowns | André Kostelanetz & His Orchestra |
| 1998 | Romance | Narcisso Yepes |
| 1998 | Les Moulins de mon cœurセルフカバー | Michel Legrand |
| 1998 | We Don’t Talk Anymore | Cliff Richard |
| 1998 | Miss You Nights | Cliff Richard |
| 1998 | ’Round Midnight | Tempo Jazzmen (Dizzy Gillespie Jazzmen) |
| 1998 | Summertime | Billie Holiday |
| 1998 | Once Upon a Summertime (La Valse des lilas)セルフカバー | Blossom Dearie |
| 1999 | Ave Maria | Johnny Mathis |
| 1999 | O Little Town of Bethlehem | Perry Como with Organ and Choir conducted by Russ Case |
| 1999 | We Three Kings | Bing Crosby with choir and orchestra directed by Simon Rady |
| 1999 | Good King Wenceslas | Bing Crosby with choir and orchestra directed by Simon Rady |
| 1999 | It Came Upon the Midnight Clear | Frank Sinatra |
| 1999 | We Wish You a Merry Christmas | Perry Como with the Ray Charles Singers |
| 1999 | O Christmas Tree | The Three Suns |
| 1999 | Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse) | Enrico Caruso |
| 1999 | The Holly and the Ivy | Stan Kenton |
| 2000 | I Got Plenty o’ Nuttin’ | John T. Williams Orchestra feat. Johnny Desmond |
| 2000 | Jerusalem | Morriston Orpheus Choir |
| 2001 | What Child Is This? | Johnny Mathis, Percy Faith & His Orchestra |
| 2001 | O Holy Night | The Three Suns |
| 2001 | O Come, All Ye Faithful | Perry Como with Organ and Choir conducted by Russ Case |
| 2001 | Joy to the World | Chorus and Organ |
| 2001 | Hark! The Herald Angels Sing | The Three Suns |
| 2001 | Adeste fideles | George Melachrino and Orchestra |
| 2002 | Eenzaam zonder jouセルフカバー | Will Tura |
| 2002 | Messiah, HWV 56: Part I, no. 12. Chorus “For unto us a Child is born” | London Philharmonic Choir, London Philharmonic Orchestra, Sir Adrian Boult |
| 2003 | On Earth as It Is in Heavenセルフカバー | Ennio Morricone |
| 2005 | Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto | The Philadelphia Orchestra, William Smith |
| 2006 | Gianni Schicchi: “O mio babbino caro” (Lauretta) | Montserrat Caballé, London Symphony Orchestra, Charles Mackerras |
| 2007 | Canon and Gigue in D major, P. 37, T. 337: I. Canon | Orchestre de chambre Jean‐François Paillard, Jean‐François Paillard |
| 2009 | Rule, Britannia! | New York Philharmonic, Leonard Bernstein |
| 2009 | Ave Maria | Alessandro Moreschi |
| 2010 | Some Enchanted Evening | Mary Martin, Barbara Luna, Michael De Leon, Ezio Pinza |
| 2011 | オープニング・テーマ | 植松伸夫 |
| 2011 | 'Metal Gear Solid' Main Theme | TAPPY |
| 2011 | ウィンドガーデン | 横田真人 |
| 2011 | The Planets, op. 32: I. Mars, the Bringer of War | London Symphony Orchestra, Sir Malcolm Sargent |
| 2012 | Main Theme | 戸高一生 & 田中しのぶ |
| 2012 | Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” | Peter White, The Choir of St John’s College, Cambridge, George Guest |
| 2012 | An End, Once and for All | Clint Mansell & Sam Hulick |
| 2012 | Adventure | Disasterpeace |
| 2012 | The Dam Busters March | Royal Liverpool Philharmonic Orchestra, Sir Charles Groves |
| 2012 | Chariots of Fire | Vangelis |
| 2012 | 片翼の天使 | 植松伸夫 |
| 2012 | Still Alive | GLaDOS |
| 2012 | クロノ・トリガー | 光田康典 |
| 2012 | James Bond Theme | The John Barry Orchestra |
| 2015 | 20th Century Fox Fanfare | Varujan Kojian, The Utah Symphony Orchestra |
| 2017 | The Last Rose of Summer | Nina Simone |
| 2017 | St. John’s Night on the Bare Mountain | London Symphony Chorus, London Symphony Orchestra, Claudio Abbado |
| 2018 | Gabriel’s Oboe | Ennio Morricone |
| 2018 | The Raiders March | John Williams |
| 2019 | 竜の島 | 永田権太 |
| 2019 | Rigoletto: Atto III. “La donna è mobile” (Duca) | Enrico Caruso |
| 2020 | Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” | Mormon Tabernacle Choir, The Philadelphia Orchestra, Eugene Ormandy |
| 2020 | The Planets, op. 32: IV. Jupiter, the Bringer of Jollity | London Symphony Orchestra, Sir Malcolm Sargent |
| 2020 | Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air | Adolf Scherbaum, Münchener Bach‐Orchester, Karl Richter |
| 2020 | Adagio for Strings and Organ in G minor | Maria Teresa Garatti, I Musici |
| 2020 | The Stars and Stripes Forever | Morton Gould & Morton Gould's Symphonic Band |
| 2020 | Adagio for Strings | Academy of St Martin in the Fields, Sir Neville Marriner |
| 2020 | Also sprach Zarathustra, op. 30: I. Einleitung | Wiener Philharmoniker, Herbert von Karajan |
| 2020 | Boléro | The Philadelphia Orchestra, Eugene Ormandy |
| 2020 | An der schönen blauen Donau, op. 314 | Radio‐Symphonie‐Orchester Berlin, Ferenc Fricsay |
| 2020 | Concierto de Aranjuez: II. Adagio | Miles Davis |
| 2021 | Pavane, op. 50 | Bill Evans Trio |
| 2021 | Dicitencello vuje | Sergio Franchi |
| 2021 | Cara mia | David Whitfield with Mantovani and His Orchestra and The Roland Shaw Orchestra |
| 2021 | Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Eugen Jochum |
| 2022 | Rhapsody in Blue | The Hour of Charm All Girl Orchestra under the direction of Phil Spitalny |
| 2026 | Symphony no. 9 in D minor, op. 125 “Choral”: II. Scherzo. Molto vivace – Presto | New York Philharmonic, Bruno Walter |
| 2026 | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai | Peter Anders, Tilla Briem, Bruno Kittel Choir, Elisabeth Höngen, Rudolf Watzke, Berliner Philharmoniker, Wilhelm Furtwängler |
| — | Suite in E minor, BWV 996: V. Bourrée | Julian Bream |
| — | Première Gymnopédie: Lent et douloureux | Christopher Parkening |
| — | Suite bergamasque : III. Clair de lune | George Greeley, Paul Weston |
| — | Sabre Dance, from the ballet Gayaneh | London Symphony Orchestra, Antal Doráti |
| — | Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf) | Giuseppe di Stefano, Orchestra dell’Accademia Nazionale di Santa Cecilia, Franco Patanè |
| — | Peer Gynt Suite no. 1, op. 46: IV. I Dovregubbens hall | Duke Ellington & His Orchestra |
| — | Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile | Wilhelm Kempff |
| — | Don’t Let Me Be Misunderstood | Nina Simone |
| — | Bagatelle for Piano in A minor, WoO 59 “Für Elise”: Poco moto | Wilhelm Kempff |
| — | Peer Gynt, op. 23: 2. akt: I Dovregubbens hall | Royal Philharmonic Orchestra, Beecham Choral Society, Sir Thomas Beecham |
| — | Candide: Overture | Samuel Krachmalnick |
| — | Symphony no. 5 in C minor, op. 67 | Ekseption |