アーティスト
London Festival Orchestra
“house orchestra” of Decca Records, associated since 1980 with conductor Ross Pople
4カバーされた曲
186カバーされた延べ組数
105カバーした曲
カバーされた曲（多い順）
- Plaisir d’amour1967年カバー 108 組
- It’s Now or Never1975年カバー 44 組
- Полюшко-поле1965年カバー 23 組
- Tuesday Afternoon1967年カバー 11 組
カバーした曲（年順）
| 年 | 曲 | 原曲 |
|---|---|---|
| 1965 | And the Angels Sing | Ziggy Elman & His Orchestra |
| 1965 | הבה נגילה | Harry Belafonte |
| 1965 | I Wish You Love | Vera Lynn with The Roland Shaw Orchestra |
| 1965 | The Girl From Ipanema | Antônio Carlos Jobim |
| 1966 | Hello, Dolly! | Louis Armstrong |
| 1966 | The Man With the Golden Arm | Elmer Bernstein |
| 1966 | People | Barbra Streisand |
| 1966 | More | Pepe Jaramillo |
| 1966 | Zorba’s Dance | Laura Armendáriz |
| 1966 | Rhapsody in Blue | The Hour of Charm All Girl Orchestra under the direction of Phil Spitalny |
| 1967 | Mademoiselle de Paris | Jacqueline François |
| 1967 | Consider Yourself | Martin Horsey & Keith Hamshere |
| 1967 | La Marseillaise | Django Reinhardt & le Quintette du Hot Club de France avec Stéphane Grappelly |
| 1967 | La Mer | Charles Trenet |
| 1967 | Thank Heaven for Little Girls | Lerner & Loewe |
| 1967 | Nights in White Satin | The Moody Blues |
| 1967 | Gigi | The Dick Hyman Trio |
| 1967 | Hi-Lili, Hi-Lo | Roger Williams |
| 1967 | I Love Paris | Charlie Parker |
| 1967 | What Now My Love | George Greeley |
| 1968 | Alfie | Cher |
| 1968 | Born Free | Matt Monro |
| 1968 | The Impossible Dream | Joan Diener / Joan Diener, Richard Kiley / Richard Kiley, Joan Diener, Irving Jacobson / Robert Rounseville / Joan Diener, Robert Rounseville and Entire Company |
| 1969 | If I Were a Rich Man | Zero Mostel |
| 1969 | Matchmaker, Matchmaker | Joanna Merlin, Julia Migenes and Tanya Everett |
| 1971 | Charade | Henry Mancini |
| 1972 | Lara’s Theme | Maurice Jarre |
| 1972 | By the Time I Get to Phoenix | Johnny Rivers |
| 1972 | Sunrise, Sunset | Zero Mostel, Maria Karnilova and Chorus |
| 1974 | My Yiddishe Momme | Yossele Rosenblatt |
| 1974 | Bei mir bist du schön | The Andrews Sisters |
| 1974 | Exodus | Manny Albam and His Orchestra |
| 1974 | ירושלים של זהב | Shuly Nathan |
| 1975 | Treat Me Nice | Elvis Presley |
| 1975 | Rock-a-Hula Baby | Elvis Presley and The Jordanaires |
| 1975 | Can’t Help Falling in Love | Elvis Presley |
| 1975 | Viva Las Vegas | Elvis Presley with The Jordanaires |
| 1975 | Bossa Nova, Baby | Tippie and the Clovers |
| 1975 | Hound Dog | Willie Mae “Big Mama” Thornton, Kansas City Bill & Orchestra |
| 1975 | In the Ghetto | Elvis Presley |
| 1975 | Love Me Tender | Elvis Presley |
| 1975 | Heartbreak Hotel | Elvis Presley |
| 1975 | Wooden Heart | Elvis Presley |
| 1975 | Are You Lonesome Tonight? | Elvis Presley |
| 1977 | West Side Story: Ballet Sequence: Somewhere | Larry Kert, Carol Lawrence, Reri Grist |
| 1977 | West Side Story: Maria | Larry Kert |
| 1977 | West Side Story: America | Chita Rivera, Marilyn Cooper, Reri Grist, Shark Girls |
| 1977 | West Side Story: Tonight | Larry Kert, Carol Lawrence |
| 1977 | West Side Story: Something’s Coming | Larry Kert |
| 1989 | Oh, What a Beautiful Mornin’ | Alfred Drake and Chorus |
| 1989 | Bali Ha’i | Juanita Hall |
| 1989 | The Sound of Music | Mary Martin, Theodore Bikel, Lauri Peters, William Snowden, Kathy Dunn, Joseph Stewart, Marilyn Rogers, Mary Susan Locke & Evanna Lien |
| 1989 | Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air | Adolf Scherbaum, Münchener Bach‐Orchester, Karl Richter |
| 1989 | My Favorite Things | Mary Martin & Patricia Neway |
| 1989 | The Rain in Spain | Rex Harrison, Julie Andrews, Robert Coote, Servants |
| 1989 | Chim Chim Cher-ee | Dick Van Dyke, Julie Andrews, Karen Dotrice & Matthew Garber |
| 1989 | I’ve Grown Accustomed to Her Face | Rex Harrison |
| 1989 | Ave Maria | Alessandro Moreschi |
| 1989 | Do‐Re‐Mi | Mary Martin, Lauri Peters, William Snowden, Kathy Dunn, Joseph Stewart, Marilyn Rogers, Mary Susan Locke & Evanna Lien |
| 1989 | The Surrey With the Fringe on Top | Alfred Drake |
| 1989 | People Will Say We’re in Love | Alfred Drake and Joan Roberts |
| 1989 | I Could Have Danced All Night | Julie Andrews, Philippa Bevans, Maids |
| 1989 | On the Street Where You Live | John Michael King |
| 1989 | Get Me to the Church on Time | Stanley Holloway, Gordon Dilworth, Rod McLennan, Chorus |
| 1990 | Battle Hymn of the Republic | Jeanette MacDonald, soprano |
| 1991 | The Planets, op. 32: I. Mars, the Bringer of War | London Symphony Orchestra, Sir Malcolm Sargent |
| 1991 | The Planets, op. 32: IV. Jupiter, the Bringer of Jollity | London Symphony Orchestra, Sir Malcolm Sargent |
| 1992 | Land of Hope and Glory | Elizabeth Cotten |
| 1994 | Habanera (from Carmen) | New York Philharmonic, Leonard Bernstein |
| 1994 | The Big Country: Main Theme | Taneční orchestr Československého rozhlasu |
| 1995 | Sleigh Ride | Arthur Fiedler & Boston Pops Orchestra |
| 1996 | Csárdás | Reginald Dixon |
| 1996 | Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Eugen Jochum |
| 1997 | Messiah, HWV 56: Part II, no. 44. Chorus “Hallelujah” | Mormon Tabernacle Choir, The Philadelphia Orchestra, Eugene Ormandy |
| 1997 | There’s No Business Like Show Business | Frank Sinatra |
| 1997 | I Got Rhythm | Louis Armstrong & His Orchestra |
| 1998 | It’s Beginning to Look a Lot Like Christmas | Bing Crosby with Jud Conlon’s Rhythmaires and John Scott Trotter and His Orchestra |
| 1998 | Angels We Have Heard on High | Bing Crosby with choir and orchestra directed by Simon Rady |
| 1998 | O Little Town of Bethlehem | Perry Como with Organ and Choir conducted by Russ Case |
| 1998 | White Christmas | Bing Crosby with Ken Darby Singers and John Scott Trotter and His Orchestra |
| 1999 | You’re the Top | Jeanne Aubert and Jack Whiting with the Palace Theatre Orchestra |
| 2000 | Main Titleセルフカバー | Elmer Bernstein |
| 2004 | I Get a Kick Out of You | Frank Sinatra |
| 2005 | Let It Snow! Let It Snow! Let It Snow! | Vaughn Monroe |
| 2009 | Adagio for Strings and Organ in G minor | Maria Teresa Garatti, I Musici |
| 2011 | Peer Gynt Suite no. 1, op. 46: IV. I Dovregubbens hall | Duke Ellington & His Orchestra |
| 2014 | Nobody Knows the Trouble I’ve Seen | Louis Armstrong with The Decca Mixed Chorus |
| 2014 | Trees | Sir Harry Secombe |
| 2014 | The Lord’s Prayer | Mahalia Jackson |
| 2014 | Bless This House | Eileen Farrell |
| 2014 | You’ll Never Walk Alone | Frank Sinatra |
| 2014 | We Shall Overcome | Pete Seeger |
| 2014 | If I Loved You | Harry James and His Orchestra |
| 2014 | Climb Ev’ry Mountain | Patricia Neway |
| 2017 | Blow, Gabriel Blow | Bea Wain |
| 2017 | It’s De‐Lovely | Dinah Shore |
| 2017 | You’re Just in Love | Jimmy Clanton |
| 2017 | I Got Lost in His Arms | Ethel Merman with Chorus, Jay Blackton |
| 2017 | Everything’s Coming Up Roses | Ethel Merman |
| 2017 | Alexander’s Ragtime Band | Casa Loma Orchestra |
| 2017 | They Say It’s Wonderful | Don Byas Quartet |
| — | Summertime | Mildred Bailey |
| — | Boléro | The Philadelphia Orchestra, Eugene Ormandy |
| — | Symphony no. 9 in D minor, op. 125 “Choral”: II. Scherzo. Molto vivace – Presto | New York Philharmonic, Bruno Walter |
| — | Symphony no. 9 in D minor, op. 125 “Choral”: IV. Finale. Presto – Allegro assai | Peter Anders, Tilla Briem, Bruno Kittel Choir, Elisabeth Höngen, Rudolf Watzke, Berliner Philharmoniker, Wilhelm Furtwängler |